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current project: #6million
with my current media art project #6million, i would like to try to visualise the incomprehensibility of the holocaust and thereby inherently question the cognitive consequences of media technology mediation for our memory work. the idea at the moment is a media installation with 6 million different, photo-realistic, digital-virtual portraits, created by an ai, although…
the rupture – kintsugi europe (attempt)
i kept asking myself how one could imagine the unimaginable amount of 6 million people killed. but you can visualise it: if you line up 6 million people, you get a human chain of incredible 3,500 kilometres. this corresponds to the distance bordeaux – moscow. my new work tries to show the systematic killing of…
new art work: „spectrum of being lost“
two montages of snapshots taken in 2006 with the camera of the motorola razr v3 smartphone. some of them show lost, personal objects in the volksgarten. the work reflects the difficult situation i found myself in at that time – privately and professionally.
the end of postmodernism part one
when i first encountered postmodern thinking as a student (paul feyerabend, wider den methodenzwang), i was fascinated by the fact that it expressed my discomfort with academia and seemed to provide an answer to how the stubborn and boring, downright hostile progress in knowledge could be revitalised. but later i saw the fatal consequences of postmodern…
remixes oonard „1972“
in the beginning – there was improvisation: at a rehearsal in the early 10s of the band rhein, they once tried to improvise krautrock. jo rix and peter michael witt played the same instruments as always – synthesizer and electric guitar – jürgen krause switched to bass guitar, the beat was set by a simple…
new photographic works
yesterday i published two new photographic works here on this website, which are the results of my trips to japan and poland, where i visited hiroshima two years ago and auschwitz two months ago. in my picture montages „realising the incomprehensible“ i put the two places of horror in relation to each other pictorially. in…