Peter Michael Witt published at soundcloud the first prelude to the concept album “anti düsseldorf,” an experimental journey from classical sounds to granular destruction and synthesis — a conceptual project that explores the boundaries and the questionable nature of the decades-long hegemony of sequential music.
The work „5 grams“ presents a gold tooth next to gold jewellery in a showcase. it does not address the victim himself, but the coldness of a system that sought profit even in death. the showcase, a symbol of desire and museum distance, makes the unspeakable visible and at the same time unbearable. the gold…
we will give a concert at the kassette, düsseldorf. we hope to see you there.
i kept asking myself how one could imagine the unimaginable amount of 6 million people killed. but you can visualise it: if you line up 6 million people, you get a human chain of incredible 3,500 kilometres. this corresponds to the distance bordeaux – moscow. my new work tries to show the systematic killing of…
in the beginning – there was improvisation: at a rehearsal in the early 10s of the band rhein, they once tried to improvise krautrock. jo rix and peter michael witt played the same instruments as always – synthesizer and electric guitar – jürgen krause switched to bass guitar, the beat was set by a simple…
Peter Michael Witt published at soundcloud the second prelude to the concept album “anti düsseldorf,” an experimental journey from classical sounds to granular destruction and synthesis — a conceptual project that explores the boundaries and the questionable nature of the decades-long hegemony of sequential music.
after lengthy deliberations on how to contextualise the 6 million ai-generated portraits so that their relation to mass destruction becomes visible, i finally came up with a solution. with that, the conceptual preparations are complete, now it’s time to programme and find a place for the installation.