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5 grams
The work „5 grams“ presents a gold tooth next to gold jewellery in a showcase. it does not address the victim himself, but the coldness of a system that sought profit even in death. the showcase, a symbol of desire and museum distance, makes the unspeakable visible and at the same time unbearable. the gold…
a reference to german romanticism
in ausschwitz birkenau i photographed the ruins of crematorium iii in the light of the setting sun. the scene reminded me strongly of caspar david friedrich and the fact that hitler and speer planned their buildings in such a way that they would still have made an imposing impression after a thousand years. admittedly, rather…
#6million_installation
after lengthy deliberations on how to contextualise the 6 million ai-generated portraits so that their relation to mass destruction becomes visible, i finally came up with a solution. with that, the conceptual preparations are complete, now it’s time to programme and find a place for the installation.
the rupture – kintsugi europe (attempt)
i kept asking myself how one could imagine the unimaginable amount of 6 million people killed. but you can visualise it: if you line up 6 million people, you get a human chain of incredible 3,500 kilometres. this corresponds to the distance bordeaux – moscow. my new work tries to show the systematic killing of…
onroda | prélude zwei to „anti düsseldorf“
Peter Michael Witt published at soundcloud the second prelude to the concept album “anti düsseldorf,” an experimental journey from classical sounds to granular destruction and synthesis — a conceptual project that explores the boundaries and the questionable nature of the decades-long hegemony of sequential music.
new art work: „spectrum of being lost“
two montages of snapshots taken in 2006 with the camera of the motorola razr v3 smartphone. some of them show lost, personal objects in the volksgarten. the work reflects the difficult situation i found myself in at that time – privately and professionally.