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onroda | prélude zwei to „anti düsseldorf“
Peter Michael Witt published at soundcloud the second prelude to the concept album “anti düsseldorf,” an experimental journey from classical sounds to granular destruction and synthesis — a conceptual project that explores the boundaries and the questionable nature of the decades-long hegemony of sequential music.
the rupture – kintsugi europe (attempt)
i kept asking myself how one could imagine the unimaginable amount of 6 million people killed. but you can visualise it: if you line up 6 million people, you get a human chain of incredible 3,500 kilometres. this corresponds to the distance bordeaux – moscow. my new work tries to show the systematic killing of…
onroda | prélude drei to „anti düsseldorf“
Peter Michael Witt published at soundcloud the third prelude to the concept album “anti düsseldorf,” an experimental journey from classical sounds to granular destruction and synthesis — a conceptual project that explores the boundaries and the questionable nature of the decades-long hegemony of sequential music.
5 grams
The work „5 grams“ presents a gold tooth next to gold jewellery in a showcase. it does not address the victim himself, but the coldness of a system that sought profit even in death. the showcase, a symbol of desire and museum distance, makes the unspeakable visible and at the same time unbearable. the gold…
onroda | prélude eins to „anti düsseldorf“
Peter Michael Witt published at soundcloud the first prelude to the concept album “anti düsseldorf,” an experimental journey from classical sounds to granular destruction and synthesis — a conceptual project that explores the boundaries and the questionable nature of the decades-long hegemony of sequential music.
a reference to german romanticism
in ausschwitz birkenau i photographed the ruins of crematorium iii in the light of the setting sun. the scene reminded me strongly of caspar david friedrich and the fact that hitler and speer planned their buildings in such a way that they would still have made an imposing impression after a thousand years. admittedly, rather…