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new remix: 2022 (die verstoerte republik)
today I published a new remix under my artist’s name oonard. the basic samples are taken from a jam session of my band rhein. title: 2022 (die verstoerte republik)*, this refers to the present mental situation in germany. the people in my homeland seem to be very confused about the situation – too much crisis in…
new photographic works
yesterday i published two new photographic works here on this website, which are the results of my trips to japan and poland, where i visited hiroshima two years ago and auschwitz two months ago. in my picture montages „realising the incomprehensible“ i put the two places of horror in relation to each other pictorially. in…
a reference to german romanticism
in ausschwitz birkenau i photographed the ruins of crematorium iii in the light of the setting sun. the scene reminded me strongly of caspar david friedrich and the fact that hitler and speer planned their buildings in such a way that they would still have made an imposing impression after a thousand years. admittedly, rather…
new art work: „spectrum of being lost“
two montages of snapshots taken in 2006 with the camera of the motorola razr v3 smartphone. some of them show lost, personal objects in the volksgarten. the work reflects the difficult situation i found myself in at that time – privately and professionally.
onroda | prélude zwei to „anti düsseldorf“
Peter Michael Witt published at soundcloud the second prelude to the concept album “anti düsseldorf,” an experimental journey from classical sounds to granular destruction and synthesis — a conceptual project that explores the boundaries and the questionable nature of the decades-long hegemony of sequential music.
the end of postmodernism part one
when i first encountered postmodern thinking as a student (paul feyerabend, wider den methodenzwang), i was fascinated by the fact that it expressed my discomfort with academia and seemed to provide an answer to how the stubborn and boring, downright hostile progress in knowledge could be revitalised. but later i saw the fatal consequences of postmodern…